You
know what? Essays are starting to annoy me. I start writing
something, I feel like I have a good idea going, and suddenly
everything I was writing feels cheap. Senseless, pointless, tawdry
drivel spat onto a page with no clear direction, no point, and not
really worth all that much. I tried to write something deep and
personal and found myself circling so much that after going a long
way, I'd only managed to penetrate a layer or two, such being the
nature of spirals. I tried to go with a direct approach and ran into
a hard wall that sent me staggering backwards, banner torn and troops
gone, after just the initial charge. I tried to write out something
of my thoughts on home, and where did that go? I had a page down and
felt like I was a paragraph away from being out of things to say.
Maybe it's me; maybe I have trouble sharing anything. That's it, I'm
just a selfish person. You can't have my memories, you aren't
allowed to see my feelings or my thoughts. Stay away, they're mine.
But
it's not like I'm the Giver. If I put my memories on a page, they're
not going to disappear. I don't need to worry about it. For
example, if I tell you about the Halloween when my mom, as usual, had
us split up the spoils of the night so we could all get an equal
amount and make sure we had treats that we liked, and to make sure we
didn't eat it all at once so she could mete out candy to us on a
slower basis—it worked, we managed to still have candy throughout
the year as she did this—and then she split the piles that were
left after we took all that would fit in our little candy tubs into
chocolate, chewy candy, and hard candy, then the chocolate pile
mysteriously disappeared...along with my dad, and we pursued him to
his room where he'd locked himself in his closet until we finally
managed to dig him out, scour the closet, and eventually found a box
marked “Radioactive! Poison! Explosive! Keep out!” in words
and symbols containing—you guessed it—all our chocolate, that
memory is still mine. Sharing that memory hasn't cheapened it, much
less dissolved it from my mind.
What
do I share? I don't share much. Sarah noted the other day “You
realize ninety percent of the things she says are jokes, right?” as
I'd told someone very seriously, as is my custom, some nonsense thing
about their food at dinner. It's true, I joke constantly. It's my
way of getting along with people, of relating to them, of making,
having, keeping friends. I feel rather proud of myself when someone
believes my occasionally-well-constructed ridiculous stories. Like
when I was on track and the girl next to me was speculating on where
wind comes from. I knew it had something to do with pressure and if
I'd thought much I could have brought it to mind, but I wasn't a
weather student, I was in AP Biology. So I drew on that store of
knowledge and told her it was created by the trees. They create
energy from the sun but with so many receptors and creators there's
an awful lot of ATP and it's hard to store energy—trees don't grow
fat—so they send out chemical signals which trees use to
communicate, which is completely true for alerting neighboring trees
to the presence of diseases and warning them to build up resistance,
so they all begin shaking their branches to release that extra
energy. And that's where the wind comes from. She looked at me
astonished. “Really?” “Yep.” “I thought it was
low-pressure systems or something like that.” “No, it's all the
trees.” “Oh. … Really?” “No, I'm lying.” Another start
from her, and then we both cracked up. It's not about the fooling
people, it's not about feeling smart or feeling some sense of
superiority, I just like the jolt of going against convention even
when I fully intend on following it. Ask me to pass the butter, say,
and 4 of 5 times I'll probably look at you like you're stupid and say
no even as I reach for the butter dish. Or pat, as the case may be.
But it's not like that's sharing a part of me. I don't try to get
people to like me by offering part of my soul, you could say, but by
trying to make them laugh. I hate seeing people sad, I'd much rather
see them smile and I like to make them smile.
But
like I said, I don't offer my soul, and if I don't like seeing other
people crying, I hate hate hate hate crying myself. Multiply that by
factor (I feel a hole in the pit of my stomach seeing other people
cry)/(I don't like seeing other people crying) if you want to get an
accurate measure of how I feel on the subject.. I think that's how
it goes mathematically to cancel out the lesser amount on the bottom.
(And now my mathematician friend will say I'm letting my own inner
mathematician show and I might not let him ever see this because I
know there's a bit of mathematician in there hiding but I'm not about
to admit that to him.) See, crying for me feels like not a healthy
release of emotion that you need to let out, like people say it is.
If it's in public, it calls others' attention to you whether in an
“Oh, that's disgusting, keep it to yourself” way or a “You poor
girl, come here and let me make it feel better” way. If I'm going
to get sympathy or attention, it'd blasted well better not be
regulated by my personal tear flow. It turns it into a call for
attention and also a positive reinforcement for a negative action, in
my opinion. Even worse is if someone responds with pity or
condescension. Do not do
that to me. It won't make me feel better; it won't make me feel
anything but angry at you. My mother is the only one whose job it is
to mother me, and she trusts my independence, so don't you even think
about trying. It's degrading, it's demeaning, and I loathe it. And
crying in public feels like I'm sending out this “Pity the child!
She's just an ickle little wee thing who needs your mothering!”
Crying in private is no good either. It makes me feel like a
miserable ball of soggy wetness and it's not like anything is going
to feel better after; if anything, it compounds the problem, whatever
it may be, and adds the problem of a stuffy nose, burning eyes, and
other physical discomforts that accompany crying. There is no “good
cry.”
Of
course, maybe all that is to cover my distaste for “offering my
soul,” as I put it. Why don't I? I don't think it was a choice
originally; I liked letting other people know how I felt when I was
little. Of course, since that was generally happy unless upset by a
skinned knee or a black eye from running into my brother going around
a corner at top speed, that was decently easy. But as I got older
and people grew more complex and everything got ridiculously
complicated, even talking, I found that every time I tried to share
my emotions, they got jumbled up, misunderstood, brushed aside, or
just didn't come out, so I tried less. This is basically the reason
you're reading this essay and not my attempt to figure myself out.
This is all essentially just surface stuff. I will openly and freely
say that I hate crying. I'll tell people I've built myself a shell
and if they want to try to break it, good luck, they'd better have a
wealth of diamond-tipped cutting tools at their disposal and not mind
breaking several in the process. I've put lots of time and energy
into it, and when I really put time and energy into something, it
turns out well, I don't care what it is.
All
of this whole mess, bundled up into a tangled, knotty, irregular lump
of randomity with one of those “Hi, my name is...” stuck on,
tattered and looking like it's spent the better part of a year in the
bottom of a not-so-neat 5th grader's backpack, with my
name on it in bold but quick calligraphy, is what tries to unravel a
little bit, just one piece of chenille stick from the mass, to turn
into a personal essay and maybe that's why it's so hard. So it's
easier to dab a bit of ink on the surface and roll it over the page,
coming up with something simple but strange and twisted like this
essay, giving you a surface imprint of who this “Elizabeth” is,
something that you might not even recognize when you see the rest of
it, like a simple amateur sketch that just looks like “Generic
Individual” rather than “This One Specifically.” Because
trying to dig out the thoughts on that one specific topic, that one
particular thing that I wanted to express, leads into a mass, wanders
off, gets lost, and leaves me either on a completely different thread
or having hopelessly lost the original entirely, or just jabs me into
a thumbtack that's been lying in wait to make me beat a hasty,
completely undignified retreat. So it never gets to the paper, or if
it does, I look at the paper, glance around hastily and suspiciously,
then slowly suck that paper into the mass that is me, hiding it in
the recesses where you'd have to dig around quite a bit to find it.
So
I don't write personal essays; why don't I just write other essays,
thoughts on life and so forth? Stuff like climbing mountains and
praying. Why don't I stick with that? The problem with all of this
is there's this sense of guilt or obligation roaming around me rather
freely, and when this annoying posse peers out and sees personal
essays by everyone else showing something deep and special to them,
an exploration like I have found myself incapable of, it scatters and
rushes to my brain and my fingers, all over, saying “Look at that!
Why can't you do that? Come on, fingers, get a move on. Hash that
soul out on paper. Look here, brain, you're in a personal essay
class. What were you writing? Do you think that
qualifies as personal? No good. Redo!” And once they start, it's
hard to get them to stop, but the rest of me rebels so strongly at
giving out that person of me that I end up never being able to
produce anything that begins to be personal but only after much
anguish and suffering. Okay, I exaggerate, but the end result is my
essays just tend to peter out. Even like this one is doing...right
about now.
(Incidentally, the "mathematician friend" I mentioned was Bryan, who read this before I remembered that was in there, and started teasing me about it immediately.)
(Incidentally, the "mathematician friend" I mentioned was Bryan, who read this before I remembered that was in there, and started teasing me about it immediately.)
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